Monday, December 13, 2010

Group Project Response


Although I tend to be more interested in how the brain determines our interactions and adapts to various aspects of society through psychology and neurology, I found research through sociological resources to be more appropriate.  Much of the time we spent together, it was to discuss the idea of “community” and discovery of each individual within the group.  Throughout the course of three weeks, we meet in various group patterns, such as two individuals for dinner or three that walked together.  Finally, the whole group met together for a lunch that was later repeated as a performance in class.     

To begin, the idea of “community’ is a good warm word frequently invoked by citizens, social workers, and politicians”.  This is something that humans desire to create a justification or even gratified experience toward the idea of belonging cooperatively to a society.  Customs and patterns of behaviors within a society not only serve as a ritual, but determine the social order.  Through the breakdown of these patterns, “society,’ [can become]… more ambivalent, invoking something elitist and exclusive.”  This leaves the “‘individual’ [to] often connote selfishness and bracketed with society” (Tuan).  Upon these different layers, I found applying them to our project can create various perspectives on how to understand what I saw as the collective underlying human condition through community, society, and the individual.

Community could serve on a national, even global platform, but for the organization within the group, it served as an educational system that determined our interaction as one unit.  Second, the society or culture built upon the materials for which we individualistically collaborated into one performance.  As individuals, we recognized different ritualistic patterns.  To serve as one community, the individuals were forced or willing subjected to perform in one instance.  These materials help to define the ritual of eating that was centered on the table or as it was in medieval times, the trestle table.            

The individual gives a light into what Tuan referred to as a view of “the existence of the world [held] within each character.”  Although society can build different meanings of the individuals as they individual is often seen as the break from the cooperative whole.  Complications can arise when society is to analyze to what extent the individual’s behavior breaks social order, whether it could be considered individualistic or deviant.  Overall, the project brings to question sociological ideas about our society that could be explored further.    

Tuan, Y.-F. (January 01, 2002). Community, Society, and the Individual. Geographical Review, 92, 3, 307-318.

Sunday, December 12, 2010

AMHA: Crocs PetPeeve

This is a pretty straight forward installation. I line the sole of the crocs with pink bubblegum. The contrast of the Dark Blue crocs and the pink, I thought was most effective in showing my playful but true annoyance with crocs. The gum speaks to how crocs litter the boulder pathways with their artificial material and how they leave an irritating, sticky feeling to me.  

AMHA: Mask

The title says it all. Most of my personality is a mask and a false front. Having many thoughts, emotions and repressed feelings behind this mask, it allows me a false sense of belonging and acceptance in the world. It is made out of journal pages from my self-inquiry. Journaling is a tool for me to get beyond my mask self, and to look at the Divine as well as the evil that exist within myself. In seeing the truth about myself clearly and allowing others to see it as well, I feel is the only meaningful way to be. By creating cone shapes out my Journal pages I allow the viewer a portal into myself beyond my mask. They are allowed a glimpse beyond the imaginary front that I present to the world.
I was happy by the way it turned out, although I did not intend for it to be scary. But I later realized this scary repulsive image of my mask, is what believes to be protecting me from painful truths. I felt it was an accurate representation of defensive withdrawal, false superiority, intimidation and pride.

AMHA: Lightsteps

This installation speaks of a universal journey that everything takes towards realizing it’s true nature.  Being my first official installation work, there are many synchronicities with this new path I’m walking as an artist. I feel this symbolic representation of footsteps and candles leading down the cold concrete stairwell of the art building, is also easily relatable to other viewers. My intention with this installation was to inspire a remembrance in the viewer of their true nature. I hoped as students rushed by busily thinking of their next step, they would be confronted by deeper questions regarding their journeys. Where is it that we are going, and why? What is it that leads us to do what we do? For whom are we doing it? Is it for our selves, for money, for others, for recognition, or simply for the joy of it? Each must answer these questions for themselves and are free to interpret this installation from their own personal journeys. For me, it is a dedication to the holiest place inside all of those who have shared their wisdom and guided me on this lonely path.  It is dedicated to the imprints of light of others, that I take refuge in. It was especially inspired by an encounter with a beloved teacher, who has lit up my path towards love, light and my true nature. 
Besides not being able to light the candles inside the building, I thought this piece was a success. I would have liked to install a really long trail throughout the whole building or even outside.