Sunday, October 24, 2010

Preacher's Victim

Preacher's Victim by Matthew Whalen

In the piece Preacher’s Victim, I explore the insecurities of my religious and spiritual beliefs and the changes I’ve undergone since I left home. Raised and confirmed Catholic, after leaving for college three years ago, I denounced my religious ties and have been searching for a spiritual home since. The piece consists of a radio-broadcast reading of the prologue to The Satanic Bible, backed by a classical hollywood score from the film The Sea Hawk to give an older broadcast feel. Also accompanied with a scratch film of a cross transforming into a pentacle, the installation explores the vulnerability of a faithless soul, searching for a religion to call home.


Over the past couple weeks, I’ve been listening to a lot of radio, stumbling across radical Evangelical broadcasts preaching to the faithless masses in Colorado. The point of these radio shows is to hail subjects, instilling ideologies in hope of gaining more religious followers. Conflicting ideologies attack our senses everyday and the radio is a classic medium of the 20th century to express religious views to the masses. I feel a vulnerability, but don’t necessarily respond to the radical preachers on the radio. I’m in a point of limbo, where I can fall subject to some hailing faith or ideology. The film shows this transformation, where my past affiliations change over time. On the other hand, the satanic broadcast is the origin of this transformation, taking advantage of the faithless listeners on the radio. I want to work with a larger space, maybe create a living room setting where these religious ideologies seep into the home. The film could project from an older TV and the radio broadcast rhetoric could be more concise. Continuing with this theme of religious vulnerability, I want expand this idea to a larger setting and maybe have a multitude of religious ideologies attack the viewer.

4 comments:

  1. This piece was visually very interesting and I loved looking at the film that was etched and the ritual/meditative work that occurred in making it come to life. I felt the cross was dancing and in some ways finding its own place and meaning as well. I appreciate your words on searching for a spiritual home.

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  2. I have really enjoyed your aesthetic this semester. Every one of your pieces has been visually stimulating as well as narrative in nature. This piece added the element of sound to the narrative- which I think was working really well. Like some others said in class, I think that both elements of this piece could have stood on their own as separate pieces. But I think they also work together. Great work!

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  3. When I first saw this piece, although interesting, I immediately thought that it was trying to be edgy, and wasn't sure what it was saying. I find your words in this blog post more powerful, as well as your timidity in discussing the work during class. Thank you for your honesty and vulnerability. I enjoyed the installation, and the video as well as the sound of the projector were soothing, despite their conflicted subject matters, which I enjoyed. But I would love to see your personal experiences come through in the piece more. I, too, have experienced this state of spiritual/religious (or whatever) limbo and think discussing it in your work can be very wonderful. I don't see a lot of things made about this topic. The art world loves criticizing religion, but an honest discussion of personal experiences like this could be quite fresh.

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